Atrocities against slaves - in NYC
The NY Times has again reviewed a book revealing the cruel treatment
of slaves in New York, in Sunday's NYT Book Review. The book describes
a "1741 'witch hunt' in Manhattan [in which] 30 slaves and
4 whites were put to death by gibbet & burnbing at the stake."
This is the third time in 3 weeks that the Times has reviewd a book
revealing the busy and cruel slave trade in NYC. The word is getting
'New York Burning': Gotham Witch Hunt
By FRANCIS X. CLINES
Published: October 2, 2005
As the spectacle of the Salem witch trials played out in Massachusetts
in 1692, concluding with the execution of 20 innocents, New Yorkers,
indulging a finer sense of civilization, condemned the hysterical
confessions and lethal injustice of their New England cousins.
All the more stunning, then, that half a century later, New York
underwent its own bout of hysteria, outstripping Salem in both
body count and self-righteous malice. In 1741, a "witch hunt"
in Manhattan put 30 slaves and four whites to death by gibbet
and burning at the stake.
NEW YORK BURNING
Liberty, Slavery, and Conspiracy in Eighteenth-Century Manhattan.
By Jill Lepore.
Illustrated. 323 pp. Alfred A. Knopf. $26.95.
Forum: Book News and Reviews
The government-run frenzy was driven by fears and rumors not of
witches but of a slave revolt. It was conducted at City Hall in
a star chamber proceeding fed by a fanatical prosecutor and his
informer-driven roundups. The slaves were reduced to pleading
for life, not liberty. The fact that such an atrocity has been
forgotten makes a modern New Yorker pause in dark wonder at the
bloody histories buried under the city streets. In this instance,
a parody of justice was interred with the bones of the slaves
just a short stroll north of City Hall. The victims were cast
into the oblivion of the Negroes Burial Ground, a 17th-century
cemetery accidentally rediscovered 14 years ago. It was the resting
place of an estimated 20,000 black New Yorkers, slave and free.
The task taken up by the Harvard historian Jill Lepore in "New
York Burning" is to disinter this grisly shard of colonial
history and try to separate fact from fear, truth from rumor.
The only frustrations in reading this gripping book are the paucity
of primary materials and the surfeit of unanswerable questions.
The record shows no firm proof of a slave conspiracy that was
ready to explode in a burst of murder, rape and pillage. But it
does show that whites' fears of such an apocalypse were palpable.
"The Negroes are rising!" was the cry heard after a
series of fires during five weeks in March and April of 1741,
including one at Fort George, the seat of royal government and
the symbol of law and order. A white indentured servant, 16-year-old
Mary Burton, was soon obliging investigators with nonstop tales
of conspiring slaves. She was lauded by the prosecution as "the
happy Instrument of all this Discovery."
Lepore, the author of "The Name of War: King Philip's War
and the Origins of American Identity," presents a fascinating
social and political history by focusing on the one detailed source
that does survive - the self-aggrandizing, self-vindicating journal
of Daniel Horsmanden, a scheming city recorder and judge. It's
a document that requires wary parsing, because Horsmanden was
the overweening instigator and prosecutor of the entire affair,
driven by his concern about a "villainous Confederacy of
latent Enemies amongst us." It was he who saw to it that
more than 150 men and women were taken from their masters, along
with a few accused white ringleaders, and thrown in the City Hall
dungeon, just up from the busy Wall Street slave market. Informing
and confessing were his only prosecutorial tools, but since those
who cooperated might be spared death, he was able to obtain 80
formulaic confessions, which in turn implicated others.
Lepore tersely summarizes Horsmanden's power as an unrepentant
sacrificer of defenseless slaves: "He traced their motives,
limned their characters and followed their fates." Yet some
of the doomed managed to show individuality, even in Horsmanden's
skewed account. "Dr. Harry," arrested because slaves
were forbidden to practice medicine, was the perfect victim for
the proofless prosecution, and was portrayed as diabolically intent
on poisoning whites. The gritty Dr. Harry rebuffed his last chance
to survive, declaring at the stake, "It signified nothing
The subtext of this book is that early New York, with 20 percent
of its residents enslaved, was a tinderbox in which political
repression was employed to deal with the fear and shame of human
servitude. One revolt in 1712 took the lives of nine whites and
about 25 slaves, and in the colonies overall there were at least
as many imagined uprisings as real ones. Lepore juxtaposes colonial
America's stirring polemics about freedom with Samuel Johnson's
demurrer from London: "How is it that we hear the loudest
yelps for liberty among the drivers of negroes?"
"New York Burning" details the deep insecurity of a
white majority, a killing force eventually eased when the propertied
class tallied the valuable holdings being burned and hanged daily
before angry crowds. "To execute slaves was to burn money,"
Lepore notes, as she describes how the City Council sought to
offset the budget strain of Horsmanden's bloody dragnet by demanding
In modern language, Horsmanden was a "kiss-up, kick-down"
politician, dealing death with grand ambition. But as happens
today with stories in our 24/7 news cycle, popular interest in
his crusade faded once slave corpses were rotting in chains and
public worry shifted to an equally questionable Papist plot. "We
seem to be easier as to the Thoughts of the Negroes," John
Peter Zenger's Weekly Journal reported, as if a mere heat wave
had passed. New Yorkers began questioning whether all those confessions
An anonymous letter from Boston enraged city fathers by recalling
New York's mockery of New England for the Salem trials. Lepore
relishes this precious addendum to Horsmanden's record - a contemporary
witness skewering New York's slave terror as "the merciless
flames of an Imaginary Plot." The letter warned the city
against "making Bonfires of the Negros & perhaps thereby
loading yourselves with greater Guilt than theirs." As a
tool of history, the letter trumps Horsmanden's journal. But it
burdens any modern attempt at strolling the city's storied streets
in a spirit of innocence.